Contributed by David Carrier / Born in Russia at the very start of this century, Ester Petukhova is a Pittsburgh resident. Her precocious new show includes seven small acrylic paintings, two of them with two parts, on shaped panels. Burgeoning Blue Screen shows a Russian at work on an old-fashioned computer. Indexed Landmarks 1 & 2 depicts a man, naked to the waist, holding a large fish. And Bread with Salt in the Wound presents a large loaf of bread, and is enhanced with glass beads. “It is a customary Slavic tradition,” the gallery label says, “to present bread with salt when welcoming a foreign nation or power.” Welcome, then, to the former Soviet Union.
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Les Gommes: Becky Brown and Annette Cords at PS122
Contributed by Axel Bishop / In a collaboratively constructed two-person exhibit at PS122, Brown and Cords experiment with the interplay of image-experience vs. knowing through written language.
Carter Ratcliff: Art in the age of Trump
Contributed by Carter Ratcliff / Let�s begin with a painting�not sure it�s a work of art�that could have been painted only now, during Trump�s presidency. This […]
On file: Leslie Brack at Cathouse Proper
Contributed by Sharon Butler / Offices were once equipped with typewriters, copy machines, and paperclips, and, of course, contained the files that organized and stored […]
Lunchtime dystopia: CON-Figuration at Postmasters
Contributed by Sharon Butler / Not far from the courthouse, wandering jurors like myself might happen upon Postmasters Gallery on Franklin Street during the mandated […]
Stuart Davis: The last painting
Stuart Davis, whose uneven but exhilarating retrospective is on view at the Whitney through September 25, is known for his playful fusion of advertising typography, […]
Painting strategies at the 2012 Whitney Biennial
The 2012 incarnation of the Whitney Biennial features (in addition to a huge slate of film and video screenings in a side room and performance on […]
Gretchen Bennett’s love letters to Kurt Cobain in Seattle
Gretchen Bennett explores the pop-culture iconography of the Seattle area through drawings of the band Nirvana and its lead singer Kurt Cobain. Bennett’s source materials […]

































