Contributed by Chunbum Park / At Picture Theory in Chelsea, Elias Wessel has assembled provocative installations titled “It’s Complicated” and, with composer and musician Natalia Kiёs, “Systems at Play.“ In “It’s Complicated,” busy photographs that document surfing and scrolling behavior stand on pedestals. Holstered at their sides are headphones piping cacophonic sounds and words – styled “Is Possibly Art” – that AI-based text-recognition software has distilled from the long-exposure images.
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LA PST Report: Toward better social behavior
Contributed by Peter Plagens / The first edition of the Getty-sponsored “Pacific Standard Time” slate of exhibitions in 2011 was subtitled simply “Art in L.A., 1945 – 1980,” and it aimed to elucidate Southern California’s contribution to American postwar modern art. In 2017, the second iteration was called “LA/LA,” indicating the city’s Latin American art and artists. This time around PST has declared a more specific theme, “Art and Science Collide,” reminiscent of one of those noble Rose Parade rubrics…
Surface, flourish, complexity at the Hessel Museum
Contributed by Anne Swartz / Since its origins in the 1970s, practitioners and advocators of the Pattern and Decoration movement have countered claims that decorative art lacked seriousness. In America at the time, critical arguments focused on the exhaustion of painting, positioning it as an outmoded visual form. Several artists resisted this affront. Instead, they embraced images for their pleasure, opposing the notion of immediacy often considered synonymous with other mediums such as photography.
The stories we choose to tell: “Fall Reveal” at MoMA
Contributed by Laurie Fendrich / The Museum of Modern Art�s �Fall Reveal� marks the second phase of the museum�s re-telling of the story of Modern […]
Presidents’ Day video: The unveiling of the official Obama portraits
In this video, watch the unveiling of the magnificent portraits of President Obama and the former First Lady Michelle Obama at the National Portrait Gallery. […]
Rainy day in New York
When I got to the studio this dreary grey morning, my coat and tote bags were sopping wet. Looking up from the building’s entrance on […]
Report: “Command-Z” at Improvised Showboat
Improvised Showboat, a curatorial project developed by artists Zachary Keeting and Lauren Britton, mounted its seventh one-night show this past weekend in my new […]
Web world: The New Museum’s 2015 Triennial
Entering the New Museum’s 2015 Triennial “Surround Audience” is like stepping into someone else�s search history. If you�re passionate about the same information that he […]
Recto or Verso: What kind of artist are you?
Barnett Newman, Two Edges, 1948, oil on canvas, 48 x 36 inches. Museum of Modern Art, gift of Annalee Newman (by exchange). Barnett Newman Foundation […]
Painting strategies at the 2012 Whitney Biennial
The 2012 incarnation of the Whitney Biennial features (in addition to a huge slate of film and video screenings in a side room and performance on […]
Frieze: Unprimed immediacy
Since the early days of Color Field painting, working on unprimed canvas or linen has given the impression of a certain unfinished immediacy–more like the […]
Humor vs. irony
Blogging at the NYTimes last week, Princeton French prof Christy Wampole, assailing the hipster mentality, suggested that our culture needs to move beyond irony. Moving […]
FU figuration at Deitch Projects
“Mail Order Monsters,” curated by Kathy Grayson. Deitch Projects, New York, NY. Through Sept. 29. Originally installed at Peres Projects, Berlin. See the installation video […]
Learning to love abstraction (with footnotes)
�The Abstract Impulse: Fifty Years of Abstraction at the National Academy, 1956-2006,� at the National Academy Museum, New York, NY. Through February 2008. Benjamin Genocchio […]
August cool
In a shortlist for NY Magazine, Rachel Wolff recommends these shows as a respite from the grueling NYC humidity: �The Abstract Impulse,� at the National […]
Gretchen Bennett’s love letters to Kurt Cobain in Seattle
Gretchen Bennett explores the pop-culture iconography of the Seattle area through drawings of the band Nirvana and its lead singer Kurt Cobain. Bennett’s source materials […]
Roberta and Elizabeth, BFF
In the NY Times Roberta Smith calls Elizabeth Peyton’s portraits girly. “By fits and starts, this exhibition reveals the complicated fusion of the personal, the […]
Roberta Smith’s advice to young artists: Learn to paint
In the NY Times, Roberta Smith reports that the artists included in “How Soon Is Now?” the 28th version of the annual culmination of the […]





































