Contributed by Peter Plagens / The first edition of the Getty-sponsored “Pacific Standard Time” slate of exhibitions in 2011 was subtitled simply “Art in L.A., 1945 – 1980,” and it aimed to elucidate Southern California’s contribution to American postwar modern art. In 2017, the second iteration was called “LA/LA,” indicating the city’s Latin American art and artists. This time around PST has declared a more specific theme, “Art and Science Collide,” reminiscent of one of those noble Rose Parade rubrics…
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Vija Celmins: To fix the image in memory
Contributed by Laurie Fendrich / Anyone walking out of the Vija Celmins retrospective that opened last week at SFMoMA thinking how good she is at […]
Catalogue essay: Paul Pieroni on Peter Halley’s 1980s painting
The aim of this text, which was originally published as “Facts are Useless in Emergencies” in Peter Halley: Paintings of the 1980s The Catalogue Raisonne, […]
Carter Ratcliff: Art in the age of Trump
Contributed by Carter Ratcliff / Let�s begin with a painting�not sure it�s a work of art�that could have been painted only now, during Trump�s presidency. This […]
Interview: Daniel Kingery in Hunt’s Point
Contributed by Rob Kaiser-Schatzlein / The four paintings I looked at in Daniel Kingery‘s Bronx studio are all medium-sized, human scale. Paint application strategies vary […]
The New Casualists
Contributed by Sharon Butler / The pioneers of abstraction — the Cubists, the Abstract Expressionists, the Minimalists — emerged from firm and identifiable aesthetic roots […]
Jerry Saltz’s burden
James Panero and me discussing social networking media face-to-face over pizza and beer at an exhibition at STOREFRONT in Bushwick. Photo courtesy Jason Andrew. In […]

































