Contributed by Laurie Fendrich / The works in Uncharted: American Abstraction in the Information Age are, for all their reliance on what we call “technology,” […]
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Catalogue essay: Paul Pieroni on Peter Halley’s 1980s painting
The aim of this text, which was originally published as “Facts are Useless in Emergencies” in Peter Halley: Paintings of the 1980s The Catalogue Raisonne, […]
Lunchtime dystopia: CON-Figuration at Postmasters
Contributed by Sharon Butler / Not far from the courthouse, wandering jurors like myself might happen upon Postmasters Gallery on Franklin Street during the mandated […]
Interview: Daniel Kingery in Hunt’s Point
Contributed by Rob Kaiser-Schatzlein / The four paintings I looked at in Daniel Kingery‘s Bronx studio are all medium-sized, human scale. Paint application strategies vary […]
