Contributed by Natasha Sweeten / Maureen Dougherty brings her paintings to life with quiet assurance. For “The Completionists,” her current exhibition at Mendes Wood DM in Germantown, she presents portraits of solitary collectors showcasing their collections in muted yet elegant tones not unlike Luc Tuymans’, with dabs of paint nestled into shadows and on tips of asparagus. Objects such as dog figurines, serving dishes, Picasso’s ceramics, skulls, and books are dutifully balanced on horizontal bands of shelving stretching across the picture plane, providing a fixed compositional framework. Perhaps Dougherty’s years of working in abstraction cultivated the acuity and freedom in her brushstroke. Nearly every one of the nine paintings on view fills the expanse of canvas as if to suggest that we’ve zoomed in on a larger presentation, singling out this particular person with this particular array of belongings while also understanding the moment as memory.
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Corriero, Segre, Seidl: Open, enveloping, searching
Contributed by Michael Brennan / I have long admired the work of the three artists Michelle Segre and Guy Corriero, whose work is now on display at “Fly like a Flea, Sink like a Stone” at Springs Projects, as well as Claire Seidl, whose show “Days Like These” is up at Helm Contemporary.
Trade secrets: How much should a painter reveal?
Contributed by Bonnie Morano / I consider myself an open book. The secret ingredient to my zesty salad dressing is cumin. Avoiding parking tickets in NYC involves a finely worded note on the windshield. But ask me how I get my oil paint to stay so shiny when dry, I hesitate….In this social media age of oversharing, does the aura of the heroic painter today rest on magic and mystery or up front transparency?
Cezanne’s pursuit
If theres one word that sums up Paul Czanne (1839-1906), the subject of this massive MoMA exhibition, its struggle.
The stories we choose to tell: “Fall Reveal” at MoMA
Contributed by Laurie Fendrich / The Museum of Modern Art�s �Fall Reveal� marks the second phase of the museum�s re-telling of the story of Modern […]
Carter Ratcliff: Art in the age of Trump
Contributed by Carter Ratcliff / Let�s begin with a painting�not sure it�s a work of art�that could have been painted only now, during Trump�s presidency. This […]
The gap between: “Unfinished” at the Met Breuer
Contributed by Sharon Butler / In recent years, artists have been interested in “slippage.” In painting, that often translates into an exploration of the space […]
Interview: Daniel Kingery in Hunt’s Point
Contributed by Rob Kaiser-Schatzlein / The four paintings I looked at in Daniel Kingery‘s Bronx studio are all medium-sized, human scale. Paint application strategies vary […]

































