Contributed by Peter Plagens / The first edition of the Getty-sponsored “Pacific Standard Time” slate of exhibitions in 2011 was subtitled simply “Art in L.A., 1945 – 1980,” and it aimed to elucidate Southern California’s contribution to American postwar modern art. In 2017, the second iteration was called “LA/LA,” indicating the city’s Latin American art and artists. This time around PST has declared a more specific theme, “Art and Science Collide,” reminiscent of one of those noble Rose Parade rubrics…
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Surface, flourish, complexity at the Hessel Museum
Contributed by Anne Swartz / Since its origins in the 1970s, practitioners and advocators of the Pattern and Decoration movement have countered claims that decorative art lacked seriousness. In America at the time, critical arguments focused on the exhaustion of painting, positioning it as an outmoded visual form. Several artists resisted this affront. Instead, they embraced images for their pleasure, opposing the notion of immediacy often considered synonymous with other mediums such as photography.
Vija Celmins: To fix the image in memory
Contributed by Laurie Fendrich / Anyone walking out of the Vija Celmins retrospective that opened last week at SFMoMA thinking how good she is at […]
Web world: The New Museum’s 2015 Triennial
Entering the New Museum’s 2015 Triennial “Surround Audience” is like stepping into someone else�s search history. If you�re passionate about the same information that he […]
Jim Isermann’s squareness
In ArtForum this month, Annie Buckley picks Jim Isermann�s elegant psychedelic paintings, which have graced the walls, floors, and ceilings of galleries, hotels, universities, stores, […]






























