Contributed by Laurie Fendrich / The works in Uncharted: American Abstraction in the Information Age are, for all their reliance on what we call “technology,” […]
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Catalogue essay: Paul Pieroni on Peter Halley’s 1980s painting
The aim of this text, which was originally published as “Facts are Useless in Emergencies” in Peter Halley: Paintings of the 1980s The Catalogue Raisonne, […]
