Restricted to her studio during lockdown and cut off from large spaces in which to create site-specific work, Lisa Hoke felt the need to fashion pieces that were more portable and more presumptively permanent. What resulted is a scintillating revelation.
Search Results for "label/Elizabeth Murray"
A better bonfire at the Whitney: Painting from the 1980s
Contributed by Jonathan Stevenson / “Fast Forward: Painting from the 1980s,” the Whitney’s trenchant exhibition of American work, immediately recalls the Reagan era, when bluffness […]
The New Casualists
Contributed by Sharon Butler / The pioneers of abstraction — the Cubists, the Abstract Expressionists, the Minimalists — emerged from firm and identifiable aesthetic roots […]




























