Restricted to her studio during lockdown and cut off from large spaces in which to create site-specific work, Lisa Hoke felt the need to fashion pieces that were more portable and more presumptively permanent. What resulted is a scintillating revelation.
Search Results for "label/Albert York"
Finding Esphyr Slobdokina
Contributed by Peter Plagens / When the annual The Armory Show art fair — which takes place on the piers on the Hudson River in […]
Catalogue essay: Abstract Art Does Not Stop an Hour
Contributed by Laurie Fendrich / The works in Uncharted: American Abstraction in the Information Age are, for all their reliance on what we call “technology,” […]
A better bonfire at the Whitney: Painting from the 1980s
Contributed by Jonathan Stevenson / “Fast Forward: Painting from the 1980s,” the Whitney’s trenchant exhibition of American work, immediately recalls the Reagan era, when bluffness […]
Interview: Daniel Kingery in Hunt’s Point
Contributed by Rob Kaiser-Schatzlein / The four paintings I looked at in Daniel Kingery‘s Bronx studio are all medium-sized, human scale. Paint application strategies vary […]






























