tag:blogger.com,1999:blog-8061430770167295504.post8581330333460780849..comments2008-08-18T17:13:23.781-04:00Sharon Butlerhttp://www.blogger.com/profile/08825044768622438532twocoatsofpaint@gmail.comBlogger2125tag:blogger.com,1999:blog-8061430770167295504.post-23759395368427543392008-08-18T14:22:00.000-04:002008-08-18T14:22:00.000-04:00If you're interested in hearing more background information about the "Imageless" exhibition and the science behind their restoration of the <I>Black Painting</I>, I recommend listening to the New York Academy of Sciences' Podcast about "Imageless." It features Carol Stringari, the Chief Conservator at the Guggenheim. You can listen to that <A HREF="http://www.nyas.org/snc/podcastdetail.asp?id=1850" REL="nofollow">here</A>.mstoll80http://www.blogger.com/profile/08616807654946061979noreply@blogger.comtag:blogger.com,1999:blog-8061430770167295504.post-14267850606835149672008-08-02T17:38:00.000-04:002008-08-02T17:38:00.000-04:00Sharon,<BR/><BR/>This is an interesting twin topic. I haven't seen the Knoebels at Dia, but yesterday I saw the informative show at the Guggenheim, which includes the "body," images of microscopic analysis, and a terrific video on the tests done with lasers in Greece and The Netherlands.<BR/><BR/>A show in the small adjacent gallery contains several Reinhardts. <BR/><BR/>These are issues--longevity, fragility, conservation-- we all should be thinking about for our own work, too.Joanne Matterahttp://www.blogger.com/profile/18003844292159615559noreply@blogger.com