Keeting and Grill: Timeless energy

Each month Giampietro Gallery pairs painters for concurrent solo shows, and through October 5 Zachary Keeting and Clare Grill have work on display. Grill, whose paintings were recently included in “Dying on Stage: New Painting in New York,” draws on history, making lovingly eroded small-scale canvases that abstractly illuminate aspects of the simpler life–carving, darning–that … read more… “Keeting and Grill: Timeless energy”

The meditative process of making: Abstraction in Connecticut

Contributed by Sharon Butler / Co-curators Daphne Anderson Deeds and Jacquelyn Gleisner have organized “State of Abstraction,” a sophisticated  group exhibition comprising elegant work by more than twenty Connecticut artists who explore a wide range of abstract strategies. Thoughtfully installed at the Washington Art Association, the work speaks of emotion, material experimentation, history, and the meditative process of making.

Report from Berlin: Ana Mendieta’s Super 8 films

Contributed by Loren Britton / Ana Mendieta’s exhibition at the Martin-Gropius- Bau is exquisite. Born in Havana, Cuba, in November 1948, Mendieta was sent to the United States in 1961, two years after Fidel Castro overthrew the Cuban Government. Her early work, some made while she was a student at the University of Iowa, is on view at the … read more… “Report from Berlin: Ana Mendieta’s Super 8 films”

Laura Blacklow on painterly photo processes

Contributed by Sharon Butler / On the occasion of the Association of International Photography Dealers (AIPAD) sponsored Photography Show that is taking place on Pier 94 in NYC this weekend, I spoke with Laura Blacklow, a Boston-based artist (and once a teacher of mine) who works with alternative photo processes. Exploring the experimental precinct where painting and photography intersect, Blacklow has recently released the fifth edition … read more… “Laura Blacklow on painterly photo processes”

Report from Berlin: Judith Hopf’s idiosyncratic vision

Contributed by Loren Britton / Berlin-based artist Judith Hopf, known for idiosyncratic combinations, is invested in post-painting practices coming out of Fluxus conversations between George Brecht and Allan Kaprow. In her sculpture show “Judith Hopf: Stepping Stairs” at the KW Institute for Contemporary Art in Berlin, she moves from sculpture to exhibition furniture and back, the transformed everyday materials in the exhibition … read more… “Report from Berlin: Judith Hopf’s idiosyncratic vision”

Report from Berlin: Anna Uddenberg at Kraupa-Tuskany Zeidler

Contributed by Loren Britton / Anna Uddenberg’s “Sante Par Aqua” (Health Through Water) comprises objects that propose spaces adjacent to furniture that bodies might occupy. Shapes are created, stacked like a life-size textural cubist painting. Rounded edges and neon floor illuminations elevate the sculptures into hybrid objects – car seat (for adult and child), shag rug, illuminated i-phone glow … read more… “Report from Berlin: Anna Uddenberg at Kraupa-Tuskany Zeidler”

Warte für Kunst (Waiting for Art) in Kassel, Germany

Contributed by Loren Britton / When artist Melanie Vogel opened Warte für Kunst (Waiting for Art) in 2010 in Kassel, Germany, Vogel wanted to challenge the notion of what “good art” was. Located in a shabby red-walled tattoo studio that had been given a fresh coat of white paint, Warte für Kunst was a platform where Vogel envisioned an exchange between art and artists would take … read more… “Warte für Kunst (Waiting for Art) in Kassel, Germany”

Ideas and Influences: Erika Ranee

Several years ago, Two Coats of Paint encountered Erika Ranee’s paintings during an open studio event at the Marie Sharpe Walsh Foundation. Soaked with vibrant color, her large-scale abstractions were exuberant conglomerations of snippets culled from the overlooked details of everyday life. On the occasion of her “Zip-A-Dee-A,” a solo show earlier this year at the Mazmanian Gallery at Framingham State University, Two … read more… “Ideas and Influences: Erika Ranee”

Skulptur Projekte orbits Münster

Contributed by Loren Britton / When Skulptur Münster began in 1977, no one expected it to continue beyond its first iteration. In the early 1970’s, artist George Rickey placed his kinetic sculpture Drei rotierende Quadrate in the city, causing a public outcry against the installation of the piece. Attempting to transform public understanding about contemporary art in public spaces, the director of Münster’s Westfalisches Landesmuseum (LWL Museum) organized a series of lectures … read more… “Skulptur Projekte orbits Münster”

Bushwick Open Studios 2017– from Bogart to Troutman

Contributed by William Eckhardt Kohler / The printed studio maps were already gone by early Saturday afternoon–a good indication of the popularity of Bushwick Open Studios–so I simply started at 56 Bogart and made my way to 17-17 Troutman, stopping at studios I found along the way. In open-studio walks, the art inevitably ranges wildly from undeveloped … read more… “Bushwick Open Studios 2017– from Bogart to Troutman”