Contributed by Sharon Butler / Followers of post-election news coverage, despairing over rampant voter suppression, are bereft over the Electoral College electors’ unwillingness to cast their votes for the sane candidate who overwhelmingly won the popular vote. The vocal majority, fretting about what to expect after the inauguration of an undisciplined kleptocrat as the 45th president of the United States, will recognize their heartache in … read more… “Marjorie Welish: Procedural difference, conceptual consequence”
Contributed by Marjorie Welish / American artists may over-esteem the vernacular as the only true democratic mode. But occasionally a vernacular mythopoesis really inspires a good body of art. Leslie Roberts is a scavenger of found lexicons—code-able idioms in daily use on commonplace themes. From such source data she transcribes letters into colored graphic marks, then charts these across and … read more… “Marjorie Welish on Leslie Roberts at Minus Space”
Oaths? Questions? First spread of a collaborative book by Marjorie Welish and James Siena. Oaths? Questions? Second spread. Oaths? Questions? Third spread. Oaths? Questions? Seventh spread. In Art on Paper Frances Richard reviews Oaths? Questions?— a book collaboration between Marjorie Welish and James Siena. “The first page is blank, but not empty. … read more… “Marjorie Welish and James Siena: Doing and undoing”
Contributed by Sharon Butler / Brooklyn painter Emily Berger is a masterful scumbler, dragging brushes of dry paint across panels to create scratchy horizontal bands of color. The wood grain of the panel peeks through, creating a sense of immediacy and improvisation. In her new work, the paint is thinly applied, and I get the sense that there aren’t any second … read more… “Effects of chance: A conversation with Emily Berger”
Contributed by Marjorie Welish / The clearest innovation of Portuguese artist Fernanda Fragateiro’s poignant exhibition, on view at Josée Bienvenu through November 4, is the enlistment of industrial design to draw attention to women’s contributions to the arts. Custom-made acrylic boxes containing books hang from the gallery wall here and there. Metal shelving supports an homage … read more… “Fernanda Fragateiro: Commemorative abstraction”
Contributed by Marjorie Welish / Rafaël Rozendaal‘s “Anti-Social” is polyglot, and speaks all at once. Stretched on a support for canvas is a Jacquard textile that professes both web information and an intuitively arrived at design compatible with painting. The basis for these compositions is the internet screen; and although stripped of words, the images are still identifiable as … read more… “Rafaël Rozendaal: Post-internet giddy”
The-world-is-falling-apart edition. MoMA protests Trump’s refugee ban, Dore Ashton has died, AFC offers to help to artists affected by Trump’s executive orders, movies about politics, NEA budget, Stock Club update, Welish on Dan Walsh, Tatiana Berg and Mexico City, and more.
Part two of Peter Scott’s exhibit “Pardon Our Disappearance” is on view at Sometimes (works of art), painter James Siena‘s small gallery on a sixth floor space in Chinatown, through the end of the month. Questioning the idealized lifestyle displayed in luxury construction site banner and scaffolding ads, the exhibition examines how the environment has … read more… “Peter Scott’s two-part disappearance and James Siena’s Sometimes”