Adam Simon could best be described as a conceptual painter. Based in Brooklyn, he has been painting and organizing community projects like Four Walls and the Fine Art Adoption Network for more than 25 years. Lately, though, he’s put community projects aside to work in the studio, where his ironically elegant new abstract paintings riff … read more… “Ideas and Influences: Adam Simon”
Dear Cloud Artist, Thank you for agreeing to be in the exhibition, “Clouds” at Lesley Heller Projects. I wanted to let you know very far in advance that the dates for the exhibition are December 15th, 2013 through January 26th, 2014. No dimension should exceed 24 inches in any direction. The title of the exhibition … read more… “EMAIL: “Clouds” exhibition details from Adam Simon”
Adam Simon, “Meeting,” 2010, acrylic and enamel on canvas, 56×80″ This amazing painting (which looks far better on the wall than it does as a jpeg) was recently featured in “Ocketopia” a group show curated by Austin Thomas at Lesley Heller Gallery. Although Simon’s studio is in Bushwick, he isn’t officially participating in the Bushwick … read more… “Painting of the Day: “Meeting” by Adam Simon”
Pam Lins, “Charles the VI layout and fog,” 2011, oil on panel, 18 x 14″ Austin Thomas is helping Scot Cohen organize “Pop-up Gallery Portraits” at 430 Warren Street in Hudson, NY. The exhibition opens on July 30 and will coincide with NADA Hudson, a large-scale exhibition featuring projects by galleries like Jeff Bailey, Canada, DCKT, … read more… “In Hudson: Pop-up Gallery Portraits and NADA”
Our mid-summer selected exhibitions list, organized by neighborhood, is, well, blooming with group shows that feature flowers, gardens, and nature. For those of you who are out of town, perhaps tending your own patch of land or painting at an artists’ residency upstate, links are included for online browsing. For a full exhibition listing, make sure to check out “The List” at artcritical.
In Suzanne Joelson‘s confrontational new paintings the conflicting forces of order and disruption animate a lively hash of vinyl photographic banners, paint, patterning, hollow-core wood panels, broken bits of debris, fabrics, geometric sequencing, and idiosyncratic markmaking. On the occasion of her solo show Studio 10 in Bushwick, Joelson met with painter Michele Araujo to talk about … read more… “Suzanne Joelson: How things change”
This edition includes links to upcoming Open Studio dates, Clyfford Still’s pastels, the Miami art fair participant lists, Thornton Willis upstate, the gold toilet at the Guggenheim, the resurrection of Ginzel’s much-loved List, a review of Molly Crabapple’s show at Postmasters, George Bush’s new painting project, and more.
Often curated by artists, summer group shows provide a window into the hive mind. Accordingly, I’ve put together a short list of exhibitions that are organized around the themes and ideas that artists are talking about in current conversations. Excerpts from press releases are included, and in case readers can’t make it to the galleries–summer … read more… “Cheat sheet: Summer group shows (and what curators are writing about them)”
Robert Storr originally wrote the following catalogue essay about Rick Briggs‘s unusual paintings, and he has graciously allowed Two Coats of Paint to republish it. Briggs’s solo show, “Full Circle,” is on view at the Flecker Gallery at Suffolk County Community College through March 18. Some painters just can’t leave well enough alone. Which is … read more… “Catalogue essay: Robert Storr on Rick Briggs”
This edition of “Quick study” includes the inaugural show at the Met Breuer, Spring/Break’s roster of curators, The Review Panel, New American Paintings Northeast selection, Amy Sillman, Martha Tuttle, Robert Straight, and Patrick Neal’s thoughtful review of my show in Hyperallergic. Looking forward: In March “Unfinished: Thoughts Left Visible,” opens in the Whtney’s old building. … read more… “Quick study”