April 22, 2014
Message to the MFA class of 2014
This year I curated " Possible as a Pair of Shoes ," the Brooklyn College MFA thesis e...
April 22: Andrew Ginzel's list of NYC shows and events
SOME but not all NYC SELECTED SHOWS TO SEE / April 22, 2014 / Listed south to north. Compiled by ar...
Video: Julian Schnabel, painting en plein air
"View of Dawn in the Tropics," an exhibition of Julian Schnabel's paintings, mad...
April 21, 2014
Art and Social Media Symposium @ CSU Long Beach, April 27
Please join us for an Art and Social Media Symposium organized by Marie Thibeault at California Sta...
April 17, 2014
Responses to "Zombie Formalism"
My last post precipitated several comments about Walter Robinson's term "Zombie Forma...
April 14, 2014
Speculating on Andy Boot
A few weeks ago, Cary Smith sent me an email with a link to Australian artist Andy Boot's w...
April 10, 2014
IMAGES: John O'Donnell considers mimesis
It's hard to tell if John O'Donnel l is serious, and he seems to want it that way. Altho...
April 8, 2014
April 8: Andrew Ginzel's list of NYC shows and events
SOME but not all NYC SELECTED SHOWS TO SEE / April 8, 2014 / Listed south to north. Compiled by art...
Who is teenage Donna? Robert Yoder @ Frosch & Portmann
TEENAGE DONNA, Seattle artist Robert Yoder's latest solo at Frosch & Portmann, opens on Th...
April 4, 2014
PRINTMAKING: Sylvan Lionni at Kansas
As a resident artist at Counterproof Press at the University of Connecticut this semester, I'...
April 3, 2014
Liam Everett’s unmooring machinations
Guest contributor Jonathan Stevenson / Liam Everett’s large paintings – on display in his show “M...
March 31, 2014
New art jargon: Overculture
From the press release for William Powhida's second solo show at Postmasters (pictured a...
Update: Moving day
Readers may remember the old studio updates I used to post from an attic in southeastern Connect...
March 24, 2014
Rebecca Morgan: Country girl
After earning an MFA at Pratt, unlike many new grads who set up studios in Brooklyn, Rebecca Morg...
March 20, 2014
Leslie Wayne: Absorbed and wiped out
In the last few years, much has been made of hybrid paintings that re-purpose canvas and stretch...
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