September 17, 2014

September 16: Andrew Ginzel's list of NYC shows and events

SOME but not all NYC SELECTED SHOWS TO SEE / September 16, 2014  / Listed south to north. Compiled by artist Andrew Ginzel for his students at the School of Visual Arts. Note: Images have been selected by Two Coats of Paint.



 LOWER EAST SIDE
 Two Two One: Corey Escoto; Dave Hardy; EJ Hauser; David Stein / Regina Rex / 221 Madison (new location) / thru 10/26 Opening 9/21 (7-9 PM)
Salon / (harbor) / 221 Madsion (new location) / thru 10/? Opening 9/21 (7-9 PM)
Cara Benedetto / Chapter NY / 127 Henry / thru 10/12
Nick Kline / R.Jampol / 191 Henry / thru 10/12
Orly Genger; James Siena / Sargent’s Daughters / 179 East Broadway / thru 10/26 Opening 9/19 (7-9 PM)
We, the Outsiders: A.Brzezanska, L.Mommartz; E. Navarro; F.M.P.Ramos / e-flux / 311 East Broadway / thru 11/1
Marie Karlberg / Reena Spaulings / 165 East Broadway / thru 10/5 Opening 9/21 (7-9 PM) (Performance @ 7PM)
Betty Beaumont / 3A / 179 Canal #3A / thru 10/11

[Image: Rachael Gorchov @ TSA in Bushwick]

September 13, 2014

Tamsin Doherty asks "What is a creative life?"

In the September issue of The Brooklyn Rail, Tamsin Doherty contributed a book review of Living and Sustaining a Creative Life, a book of 40 artists' essays (one of which I wrote) edited by artist Sharon Louden. The book has been widely praised as a resource for young artists and a pep talk for older ones, but Doherty, a 2014 Pratt BFA grad, was unmoved.

[Image: Tamsin Doherty, Untitled, 2013, acrylic and oil on canvas, 38 x 42 inches. Images are from the artist's website.]

September 12, 2014

Perfection: Tomma Abts and Helene Appel

Is perfection making a comeback? In exhibitions at David Zwirner and James Cohan, Tomma Abts (b. Germany 1967) and Helene Appel (b. Germany 1976) certainly make a case that focus and exactitude are still meaningful approaches.

[Image: Tomma Abts @ David Zwirner]

September 11, 2014

Eric Wesley's daily status updates


I like reading other people's diaries, especially artists, and so naturally I was drawn to Eric Wesley's new work at Bortolami. The show features paintings of his daily progress status reports--a combination of to-do lists and daily calendar entries.

[Image at top: Eric Wesley, slideshow of paintings in the show at Bortolami] 

September 8, 2014

Cheat sheet: Recommended shows



Traditionally, the fall season, following the summer doldrums, is the time for audacious exhibitions that garner attention and big crowds. This fall is no exception, but some smaller exhibitions look promising, too. Here are a few I'm looking forward to seeing (and some I'm participating in), listed in chronological order.

[Image above: Ralph Fasenella @ American Folk Art Museum

September 3, 2014

The New Museum’s “Here and Elsewhere:” Arab artists’ grim pride of place


Guest contributor Jonathan Stevenson / The New Museum’s abundant exhibition of Arab art “Here and Elsewhere,” named for and inspired by Jean-Luc Godard’s searching 1976 documentary, suggests that Middle Eastern artists in some ways have an advantage over others. Conflict and repression are so deeply embedded in their experience that they could fairly be held to less exacting formal and aesthetic standards than their counterparts in United States, Europe, or even Latin America. In these places, relative political stability allows artists to stand aloof from politics and minutely focus on technique or metaphysics or something else still if they so choose. Arab artists generally can’t afford that luxury.

[Image at top:  Anna Boghiguian (b. 1946  in Cairo, lives internationally). Boghiguian created an installation of her portable, unframed paintings and collages on paper, set on freestanding shelves. Each piece is heart-wrenchingly visceral and speaks eloquently to the experience of a displaced artist.]


August 28, 2014

Last chance: Summer shows in Hudson and Beacon


Continuing my roadtrip north of the city, I headed west from the Berkshires to Hudson and Beacon, two more towns that have absorbed many exhausted Brooklyn artists who have decided to join art communities elsewhere. In Hudson, John Davis has notably expressive solo painting shows by Matt Blackwell, Judith Simonian, Kathy Osborn, and Angela Dufresne. Jeff Bailey, settled in his new blue clapboard townhouse down Warren Street from Davis, offers "Tossed," a clever group show co-curated by artists Jennifer Coates and Rachel Schmidhofer. And in Beacon, I finally made a visit to Matteawan, Karlyn Benson's smart young gallery that often features Brooklyn artists.

[Image: Matt Blackwell, Pulling your Leg, 2007-2014, acrylic & oil on canvas, 36 36 inches.]

August 27, 2014

Outside the city: Great Barrington


Last week I took a couple days off and drove up to Massachusetts. In Sheffield, I stopped by the Colonial Farm to catch up with with Brece Honeycutt, then took in two excellent shows in Great Barrington, the next town over, at Susan Jennings and Slink Moss's new gallery, LABSpace, and the esteemed Geoffrey Young Gallery.

[Image: Black Lake, Help Others, 2014, paint, marker, acrylic, lead, glass, colored pencil, foil on board, 14 x 11 inches.]

August 26, 2014

Studio visit: EJ Hauser


One of the best things about spending summer in the city is having more time for leisurely studio visits with other artists. Recently I stopped by EJ Hauser's spacious studio in Sunset Park to check out her new work. Hauser was the artist-in-residence last year at the University of Tennessee Knoxville, where she concentrated on portable media such as drawing, digital imagery and small paintings. Back in Brooklyn, many of the images and ideas she developed during the residency are now emerging on larger canvases.

[Image: Studio snap. At left: small drawings on paper. At right: Sevencup, 2014, oil on canvas, 70 x 70 inches.]

August 25, 2014

North Adams news



Peter Dudek is moving from his longtime Pittsfield studio to a cavernous Beaver Mill space in North Adams, where space is cheap. But before he goes, he's having a big open studio on Saturday, August 30, from 12-5pm. Stop by 2 Fenn Street, second floor, Pittsfield, MA, and say hello. Buy something so he doesn't have to move it. Call 917-568-3712 for more info.

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Speaking of North Adams, Mass MOCA just got a $25.4 million grant from the state and plans to double their space. Clearly Massachusetts understands how supporting and investing in the arts generates economic growth. Perhaps artists demoralized by New York real estate woes should consider relocating to North Adams. Read more  here. 

Image above: Installation of Anselm Keifer's paintings in MASS MoCA's new 10,000 square-foot building dedicated to his work.

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Artist-in-Residence: Bascom Lodge at the summit of Mount Greylock
"The wall drawing is a permanent installation, until destroyed"


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August 16, 2014

Inspired by fiction: Recurrence at Fridman



"In this world where every object was thrown away at the slightest sign of breakage or aging, at the first dent or stain, and replaced with a new and perfect substitute, there was just one false note, one shadow: the moon. It wandered through the sky naked, corroded, and gray, more and more alien to the world down here, a hangover from a way of being that was now outdated," Italo Calvino wrote in "Daughters of the Moon," a short story originally published in 1968 and reprinted in 2009 in The New Yorker. This passage was the starting point for "Recurrence," a thoughtful group exhibition curated by Luisa Aguilar Solis and Georgia Horn at Fridman Gallery that considered cycles of consumption and obsolescence.

[Image: Edgar Arceneaux, A Four Dimensional City Casts a Two Thousand Mile Shadow. Two Wedges and Two Long Shadows, 2014, acrylic, chalk pastel, vinyl, and enamel on paper 23.50 x 29.50 inches.]

ON FILM: Hedge priest as anachronistic hero



Guest contributor Jonathan Stevenson / John Michael McDonagh’s blackly satirical film Calvary, set in rural County Sligo in northwest Ireland, doesn’t lack ambition: it tackles the creeping nihilism of the twenty-first century. The scene that most incisively represents the phenomenon involves a rich Irishman drunkenly peeing on Holbein the Younger’s The Ambassadors (pictured above), which he owns and is worth millions, as Father James Lavelle, the local priest, looks on in bemused disgust. Here, as in many other films, great art is freighted with deep significance. The painting itself depicts a landowner and a bishop separated by an unplayable lute, symbolizing tension between secular and religious authorities. Beyond that, the film casts art as a major casualty of cultural decadence and its denigration as a metaphor for religious and philosophical decay. While the bones of civilization – religions, countries, nations – may appear intact, its flesh is rotting from faithlessness, corrupted ideology, and reflexive default to mere gratification. Hence millionaires urinate on masterpieces.

August 8, 2014

Steve Turner Gallery responds to the post about Jonas Lund's Flip City




I had an idea after posting the "Flip City" update on Tuesday to buy one of Jonas Lund's paintings and put it up for auction. Why, I wondered, shouldn't artists get in on the action? As my dear father Dudley used to say: buy low, sell high.


August 5, 2014

Update: Jonas Lund and Flip City

 

UPDATE: Steve Turner Gallery responds--> http://www.twocoatsofpaint.com/2014/08/steve-turner-gallery-responds-to-post.html

Remember "Flip City," Jonas Lund's June solo exhibition at Steve Turner in LA that featured a series of process-based abstract paintings created as flip bait for speculator-collectors?

[Image at top: Flip City 18, 2014, digital painting on canvas, gel medium and GPS tracker, 50 x 40 inches.]

August 4, 2014

New Image Painters challenge Zombie Formalists


Galleries are trying to spread the news: dour Zombie Formalism is out; pop-inflected, often casualist, representational imagery is in. This summer Jesse Greenberg and MacGregor Harp of Brooklyn's 247365 organized "Don't Look Now" at Zach Feuer, a group show suggesting that a renewed interest in traditional genres--portrait, still life, landscape--is thriving within the painting community. Later this month a similar exhibition titled "New Image Painting" opens at Shane Campbell in Chicago.

[Image above: Torey Thornton]

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