"In this world where every object was thrown away at the slightest sign of breakage or aging, at the first dent or stain, and replaced with a new and perfect substitute, there was just one false note, one shadow: the moon. It wandered through the sky naked, corroded, and gray, more and more alien to the world down here, a hangover from a way of being that was now outdated," Italo Calvino wrote in "Daughters of the Moon," a short story originally published in 1968 and reprinted in 2009 in The New Yorker. This passage was the starting point for "Recurrence," a thoughtful group exhibition curated by Luisa Aguilar Solis and Georgia Horn at Fridman Gallery that considered cycles of consumption and obsolescence.
[Image: Edgar Arceneaux, A Four Dimensional City Casts a Two Thousand Mile Shadow. Two Wedges and Two Long Shadows, 2014, acrylic, chalk pastel, vinyl, and enamel on paper 23.50 x 29.50 inches.]