“The aperture on the camera Man Ray used for Dust Breeding (1920) is said to have been left open the precise amount of time it took him and Marcel Duchamp to have a leisurely lunch. The resulting photograph—capturing a section of Duchamp’s Large Glass (1915-1923) lying in an unfinished state and gathering dust—is the index for “Idleness,” a new exhibition opening at the Jacob Lawrence Gallery on November 24, 2014. “Idleness” is the second Showroom program as part of Factory—a series of displays, labor demonstrations, motivational speeches, quality controls, and new product launches exploring the question, ‘Is a school a factory?’ The dialectical counterpoint to “Industry”—the first exhibition in the series, which celebrated traditional, industrious studio practices, and notions of labor from Auguste Rodin to El Anatsui—”Idleness” presents artists who locate the virtues of their practice in moments of pause, idleness, daydreaming, non-studio-time, convalescence, or spending time with friends.
“With Art and Calls for Indolence by Gretchen Bennett, Matt Browning, Tacita Dean, Claire Fontaine, Marcel Duchamp, Ripple Fang, Anne Fenton, Tom Marioni, Man Ray, Bertrand Russell, Edwin Shoemaker, Nicholas Bower Simpson, Mladen Stilinović, Michael Van Horn, Andy Warhol, and others.”
[Image at top: Man Ray, Dust Breeding, 1920, via the Heilbrunn Timeline of Art History.]
“Factory Showroom: Idleness,” Jacob Lawrence Gallery, University of Washington, School of Art + Art History + Design. Through January 17, 2014.
Two Coats of Paint is licensed under a Creative Commons Attribution – Noncommercial-No Derivative Works 3.0 United States License. For permission to use content beyond the scope of this license, permission is required.
Two Coats of Paint is licensed under a Creative Commons Attribution – Noncommercial-No Derivative Works 3.0 United States License. To use content beyond the scope of this license, permission is required.