Leslie Brack, I Was a Weakling, 2012, oil paint on art book, 1 x 12 x 10 inches.
Leslie Brack, Oil Rig, 2012, acrylic on magazine page, 14 x 10.25 inches.
Leslie Brack, Torn Sunset, 2012, watercolor on paper, 9 x 12 inches.
Leslie Brack, Sunset, oil on panel, 10 x 8 inches.
Leslie Brack, The Ultimate Woman, 2011, watercolor on paper, 7 x 8 inches.
Leslie Brack, Spilled Drink, 2012, oil on canvas, 6 x 12 inches.
Leslie Brack, Clock, 2012, oil on linen, 8 x 8 inches. Brack says that clock images from the 1970s all have the hands set to a frown-like 3:40, whereas contemporary clock images lean toward a happier, smile-ier 10:10 setting.
Installation view of a small tondo, 2012, oil on canvas.
In the Salon des Refuses, a smaller project room that doubles as a studio, don't miss Spence's "Fallen Rider" drawings, created for her illustrated novel.
"Leslie Brack: Kinda Verbal," S.S. Champlain, Brooklyn, NY. Through January 17, 2013. Open by appointment.
"Suzy Spence: Fallen Riders," Salon des Refuses at S.S. Champlain. Through January 17, 2013. Open by appointment.
Rail Review: The Mood Back Home, a 2008 exhibition organized by Suzy Spence and Leslie Brack at Momenta Art
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