Sunday Matinee: Gary Stephan

Gary Stephan (American,
b. 1942), who used to show at big galleries like Mary Boone Gallery, Hirschl
and Adler and Marlborough Gallery, is known for his idiosyncratic abstraction.

Recently Dan Devening of Devening Projects + Editions
in Chicago sent me some images of Stephan’s new work, some of which
will be included in “Broken/Window/Plane,” a February 2012 group show
curated by John Yau at Tracy Williams, Ltd. in New York.

The
following paintings, all made in 2011, are acrylics on canvas,
untitled, and around 70 x 56 inches. I look forward to seeing them in
person.

 

This next group of  images features acrylic on paper from 2011.

Two Coats of Paint is licensed under a Creative Commons Attribution – Noncommercial-No Derivative Works 3.0 United States License. To use content beyond the scope of this license, permission is required.

5 thoughts on “Sunday Matinee: Gary Stephan”

  1. I have always enjoyed his work. Elegant with a twisted edge to it. This new work seems to be continuing the tradition.

  2. When you think he's a contemporary of people like Lasker and Halley it's puzzling the way he's often overlooked, or has faded from view in NYC. He's definitely on the same page.
    Some of his more recent dragging/wiping technique reminds me a lot of Juan Usle, as well. I mean he's ticking all the right boxes, but somehow he doesn't draw quite the same enthusiasm. What is it? Personality problems? Bitchy critics? In an ideal world he would have a lot more recognition. Part of the problem is abstraction itself struggles for a critical discourse these days – but that hasn't stopped Lasker or Halley enjoying enormous market success.

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