Kay Sage, “Tomorrow is Never,” 1955, Oil on canvas, 37 7/8 × 53 7/8 inches, The Metropolitan Museum of Art, Arthur Hoppock Hearn Fund
A few years ago I was at the Mattatuck Museum checking out the Connecticut Biennial
, and I ran across a haunting painting
by Kay Sage in the permanent collection. From the painting’s label I learned that Sage had died in 1963, but I didn’t know anything else about her–other than the fact that she was a talented, evocative painter who seemed to have steered clear of the Ab-Ex mandate. A few weeks ago, I ran across another one
in the permanent collection at the New Britain Museum. And then, this week, I learned from Karen Rosenberg’s article in the NYTimes
that Sage was married to Yves Tanguy,
with whom she shared an 18th-century farmhouse studio in Woodbury, Connecticut
for many years. Originally they met in Paris, but fled to New York to escape World War II, and eventually followed Alexander Calder
out to what was then rural Connecticut. The two surrealists, who spoke French despite their New England locale, painted side-by-side for fifteen years, until Tanguy died unexpectedly of a cerebral hemorrhage. Sage continued to paint for several years until, partially blinded by a botched cataract surgery, she began making small constructed objects. In 1963, still grieving for Tanguy, she shot herself in the heart. “The first painting by Yves that I saw, before I knew him, was called ‘I’m Waiting for You,’” she wrote in a suicide note. “Now he’s waiting for me again — I’m on my way.” In 1964, the Kay Sage Estate donated her collected work to the Mattatuck Museum, where it can be viewed in their online database
. The Smithsonian also has some of Sage’s papers
in their archives.
This summer, the Katonah Museum of Art
is featuring a retrospective of Sage and Tanguy’s paintings, which promises to be an amazing show. After its run in Katonah, the exhibition will travel to the Davis Museum at Wellesley College and then to the Mint Museum of Art in Charlotte, North Carolina. I’m looking forward to curator Stephen Robeson Miller’s book about Sage.
Kay Sage, “The Unicorns Came Down to the Sea,” 1948, oil on canvas, 36 1/4 × 28 1/4,” Philadelphia Museum of Art, Bequest of Kay Sage Tanguy.
Kay Sage, White Silence, 1941, Oil on canvas, 30 × 40 1/4 inches, Private Collection,
Photograph by Stewart Clements
Kay Sage, I Saw Three Cities, 1944, Princeton University Art Museum, photography by Bruce M. White.
Kay Sage, “The Answer is No,” 1958, Oil on canvas, 39 × 32,” Yale University Art Gallery, Bequest of Alexandra I. Darrow, BFAP 1933, in memory of Judson S. Darrow. This was Kay Sage’s final painting.
“Double Solitaire: The Surreal Worlds of Kay Sage and Yves Tanguy,” curated by Stephen Robeson Miller and Jonathan Stuhlman. Katonah Museum of Art, Katonah, NY. Through Septmeber 18, 2011.
NOTE: Metro North is offering a one-day package to the exhibition that includes discount round-trip rail ticket to Katonah Station, discount admission to the Museum, and a discount at the Katonah Restaurant. Take a short taxi ride from the train station for $4-$6. For more details on the Metro-North Getaway package, click here.
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