In her second solo show at Klaus von Nichtssagend Gallery, Tamara Gonzales presents a colorful series of pencil drawings that conjure Peruvian textiles and embroidery. She first visited Peru in 2013 to see Machu Picchu. “Ever since seeing Keep the River on Your Right I’d wanted to visit Machu Picchu,” Gonzales told me recently in an email exchange.
The latest issue of Smithsonian Journeys Travel Quarterly, called the “Atlas of Eating,” features travel articles related to food, such as “How Food Became Religion in Peru’s Capital City” and “The Humble Beginnings of Goulash.” Editor Jeff Bartholet invited me to contribute something about art and food, so I put together a short history of food’s appearance in art, but, … read more… “A brief history of food as art”
Contributed by Jonathan Stevenson / Elizabeth Murray, who died too young at 66 in 2007, stretched and contorted household scenes and objects into kinetic abstract festivals on baroquely shaped canvases that defied and escaped the presumed domestic tyranny of wifely and motherly duty. That may be what a Guerrilla Girl – fittingly interviewed in her … read more… “Art and Film: Elizabeth Murray and the splendor of the ordinary”
Many self-employed artists have come to rely on the Affordable Care Act, also known as Obamacare, for comprehensive, fairly-priced heath insurance. The following article from STAT, a national publication focused on finding and telling compelling stories about health, medicine, and scientific discovery, written by cancer survivors Ben Fishman and Jen Campisano, explains why the GOP proposal to repeal the ACA (and perhaps, down … read more… “How GOP proposals to repeal the Affordable Care Act may affect artists”
Contributed by Debbi Kenote / “I see myself as a figure painter,” Kate Liebman tells me as I sit in her Bushwick studio, where the floor is covered with dirty paint tubes and reckless spatter. She walks me through her process and sources, touching on topics like distance, viewer insight, and political responsibility. One of the sources for her recent paintings includes a drawing … read more… “Studio visit with Kate Liebman”
Rebecca Morris likes to compartmentalize. Her paintings, smartly installed at Mary Boone’s Fifth Avenue location through February 25, feature symmetrically placed geometric shapes, sometimes collaged onto the surfaces of the large-scale canvases. Each of the shapes, large squares or circles, is divided into numerous smaller shapes that have been casually filled with improvised patterns, line, and brushwork. Morris’s paintings at first seem aligned … read more… “Rebecca Morris: Loving the unbeautiful”
This week: Resistance activities, some Blouin Artinfo gossip, RIP John Berger, two art historians try to stop a museum from sending a painting to the Trump Inauguration, Carroll Dunham on Kerry James Marshall, openings in Chelsea tonight, and Paul D’Agostino asks artists which exhibitions they’re eager to see.
Contributed by Jonathan Stevenson / With Donald Trump’s victory in the presidential election, the principled advancement of civilization as the goal of politics seemed to give way to the venal aggrandizement of the clique. It’s a grim setback, but the story of the Nobel Prize-winning Chilean poet and politician Pablo Neruda, as told in his … read more… “Art and Film: Pablo Neruda and the triumph of art”
Contributed by Sharon Butler / Frédérique Lucien and I met during the Bushwick iteration of “Deux Côtés / Two Sides,” a collaborative exhibition organized by Stephanie Theodore and Emilie Ovaere-Corthay, the director of legendary Galerie Jean Fournier. When I was in Paris for the opening, I got a chance to stop by Lucien’s studio in the 11th arrondissement, not far from the Bataclan Theater that was tragically … read more… “Studio visit: Frédérique Lucien”
Contributed by Rob Kaiser-Schatzlein / Sascha Braunig, whose solo show “Shivers,” is on view at MoMA PS1 through March 5, recently returned to New York City from Portland, Maine, to participate in the Sharpe Walentas Studio Program. When I stopped by her new space, we discussed her process and the changes that have taken place in her practice over the past five years.