EMAIL: Rebecca Morris on that pink painting at Frieze

Curious about her odd, uncharacteristic pink painting (image above) on display at Frieze last week, I wrote LA artist Rebecca Morris and asked her about it.  Here's what she told me:

"Thanks for asking about that painting! It was nice for me to have it up at the fair. It is a little bit older-- from 2007 if that helps to explain it a bit. And this was the first time it has been shown.

Read More

CURATE: The tired and poor at Frieze

If I were going to curate a show of painting-objects, without a doubt the exhibition would include a section on rumpled, badly stretched, and lumpy canvas. In the following pieces, all on display at Frieze last week, wrinkled, sagging materials function as object, image and metaphor.

Once dubbed "Neo Brut," Rosy Keyser's work combines cast off materials with painterly gesture. The big lumpy piece shown above is unusual  for Keyser because  the color is much bolder than her generally earthy, industrial palette. Last month Keyser had a solo at Peter Blum and her work was also included in "Painter Painter," the recent show of painting-objects at the Walker.

Read More

Andrew Ginzel's list of selected NYC shows and events

May 13, 2013: SOME but not all NYC SELECTED SHOWS TO SEE  / Listed south to north. Compiled by artist Andrew Ginzel for his students at the School of Visual Arts. [Note: Images  selected by Two Coats of Paint.]

Judith Simonian @ Edward Thorp

LOWER EAST SIDE

Constance DeJong / Bureau / 127 Henry / thru 5/25 (contact gallery for performance info)
The Reinhart Project curated by Richard Tuttle / Pocket Utopia / 191 Henry / thru 6/9
Massimo Minini’s postcards / 3A / 179 Canal #3A / thru 5/24

Read More

Frieze: Unprimed immediacy

Since the early days of Color Field painting, working on unprimed canvas or linen has given the  impression of a certain unfinished immediacy--more like the page of a sketchbook than a finished painting. At Frieze this weekend, unprimed materials (or the look of unprimed materials) were well represented, suggesting that painters are still interested in a new realism that subtly fuses the sculptor's attention to objecthood and materiality with two-dimensional shape and image.

Danish artist Sergej Jensen presented a large-scale patchwork-like piece (detail above) composed of raw linen rectangles. The stitching makes the patches look repurposed, as if the patches had a previous, more meaningful, utilitarian life.

Read More

Surprise appearance at Frieze: Bernard Piffaretti

At Frieze New York yesterday, in the densely hung Galerie Frank Elbaz booth, I stumbled upon two fantastic paintings by  Bernard Piffaretti, a French abstract painter who wasn't included in Frieze's  list of participating artists.

Read More

SNAPS: Marie Walsh Sharpe Foundation Open Studios

Originally in Tribeca and now located in DUMBO, the Marie Walsh Sharpe Studio Program has been granting free studio space to visual artists since 1991. Phong Bui, Rochelle Feinstein, Chris Martin, Harriet Shorr and Don Voisine selected the sixteen 2013 residents from more than 1000 applicants. Last week I stopped by their spring Open Studios, where the residents presented new work in spacious lofts overlooking the East River and the Manhattan Bridge. What a view. Here are some snaps of paintings on view.

 

Didier William

Read More

SNAPS: Open Studios at ISCP

Founded in 1994, the International Studio & Curatorial Program (ISCP) in East Williamsburg is a residency-based contemporary art institution for emerging to mid-career artists and curators. Although many of the artists' practices comprise performative, installation, photography, bookmaking, and video projects, a few of the current residents are painters. Here are some snaps I took at the open studios a few weeks ago.

Johannes Rochhausen (born 1981, Leipzig) focuses on his studio and the industrial environment surrounding the ISCP building in East Williamsburg. Beautifully painted with toned down palette, Rochhausen's paintings offer a bleak take on the joyless, helpless satisfaction of a hermetic life spent in the studio.

Read More

Careful observation: Scars, skin and larger body parts

Edie Nadelhaft

Garis & Hahn, a self-styled Kunsthalle that opened earlier this year near the New Museum on the Bowery, recently presented breathtakingly well-observed work by  Gwen Hardie, Cynthia Lin and Diana Schmertz in an exhibition called "Borderline: Depictions of Skin." Here are a few images from the show.

Diana Schmertz paints detached hands and body parts. The paintings are particularly haunting after the Boston Marathon bombing.

Read More

EMAIL: Tony Fitzpatrick "really, no shit"

Known for his retro drawing-collages and inspired storytelling, Tony Fitzpatrick has two shows up through May 26, "The Other Kind" at Pierogi and " The Mysteries of Ohio" at Adam Baumgold.

Read More

Monumental kitsch?

I was taken aback by Nabil Nahas's recent show of large, crusty abstract paintings at Sperone Westwater last week, particularly the pink one (above) that had starfish forms encrusted in the surface (detail below). According to the press release,

Over the last two decades, Nahas has continuously expanded his methods and materials. In these new paintings, Nahas creates gestural motifs of vivid colors and geometric shapes that cover the three-dimensional surface. The highly textured lines and curves seem to extend beyond the edges of the canvas – suggestive of an expansion of space, of a cosmic universe or macrocosm as well as a microcosm of organic forms."

The paintings reminded me of Etsy craft projects or those vividly colored Wyland posters of dolphins and whales. For a gallery like Sperone Westwater, they seemed so ingratiatingly lighthearted, I wondered if perhaps Nahas intended irony.

Read More

Quick Study: Pocket Utopia's first anniversary, the new neighbor

This Friday, 6-8pm, our favorite gallery, Pocket Utopia, will be celebrating its one-year anniversary on the Lower East Side with  "Club Pocket Utopia," a big party and pop-up group show. Look for work by Liz Atzberger, Hovey Brock, Sharon Butler, Paul D'Agostino, Kris Graves, Ellen Letcher, Amy Lincoln, Matthew Miller, David Storey (pictured above), Kay Thomas, Anton Würth, and Brenda Zlamany. 

Read More

Invitation: Tamara Gonzales and Sharon Butler, An Artist Dialogue

On Saturday at 2:30, please join me at the Mid-Manhattan Library for a lively conversation with painter Tamara Gonzales about blogging, zines, artists books, and Gonzales's fantastic (as in fairies and unicorms!) PINKPURPLE Tumblr site. Organized by Arezoo Moseni, the event is being held in conjunction with a site-specific installation (picture above) Gonzales recently created for the library's "Art in the Windows" series. Titled "Play Button," the exhibition also features a collection of artists' books and zines by Brian Belott, Pam Butler, Maggie Lee, Craig Olson, and Elisa Soliven.

Read More

What MFA means in Detroit

Over the past two years that I've been working toward my MFA at the Cranbrook Academy of Art, my standard (hackneyed?) retort to artists, critics, friends, janitors, anyone who wants to talk-about-art-in-Detroit, is that artists are going to have a hard time being self-sustaining here, and for reasons we're all aware of. Some have countered this, or have said, you know, that attitude isn't what this city needs right now. And I balk at that, because–and this is another story–the last thing the city needs is a bunch of people who care more about the art scene than the very real social and economic problems the city is facing.

 From Cranbrook: Lauren Satlowski, Anxiety, 2011, oil on canvas, 22 x 28 inches. Photo courtesy of the artist.

Read More

Alice Neel's granddaughter Elizabeth Neel talks about painting

Masking tape and spray paint figure prominently in Elizabeth Neel's new abstract paintings, on view at Sikkema Jenkins through May 22. Formerly represented by Deitch where she had a solo in 2008, Neel discusses abstraction, subject matter,  and learning to paint with her grandmother in a recent conversation with filmmaker and family friend Michael Auder at Interview.


MICHEL AUDER: You’ve been painting since ’95 or something like that, right?

NEEL: Well, I started fooling around with it when I was little, with Alice. That was the beginning, when she gave me that Winsor & Newton paint box. That was the “big, fancy gift.” Then I stopped for all of high school and college.

Read More

Inspired by Guernica: Judy Glantzman

I love it when established artists start something new. After seeing Pablo Picasso's Guernica for the first time three years ago, Judy Glantzman began moving away from the introspective self-portraits she had been making for many years toward a less self-engaged exploration of the devastation caused by war. Determined that she was done with psychological self examination, Glantzman set out to develop a new, more outward-looking visual language. Here are images of a sprawling, roughly hung exhibition at Betty Cuningham in which Glantzman presents powerful work from her ongoing series.

Judy Glantzman, Hero II, 2013, mixed media, 37 1/2 x 33 3/4 inches

Read More