The Desert is Not Barren, 2: John Plowman and Bernard Leibov at BoxoPROJECTS

Contributed by Mary Addison Hackett / Ask anyone here what initially brought them to the desert and almost everyone will say, “I love the desert,” followed by a brief declaration of prolific love for the community of people they met upon arrival. That’s the standard order. We come for the landscape and stay for the community. But sometimes the … read more… “The Desert is Not Barren, 2: John Plowman and Bernard Leibov at BoxoPROJECTS”

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Robin Lowe’s exquisitely eerie paintings

Contributed by Jonathan Stevenson / It goes almost without saying that paintings of people need to bring more to the table than faithful visual representations of what the people look like. But what, exactly? There is of course a range of options as to the kinds of enhancements a painter can incorporate. Natural environment, social milieu, and personal activity are some … read more… “Robin Lowe’s exquisitely eerie paintings”

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Two Coats Selected Gallery Guide / February 11, 2018

Contributed by Sharon Butler / It has taken me a little longer than usual to select shows for the Two Coats February Gallery Guide because there are so many good painting shows out there. That, and the fact that I’m in the  process of packing up and moving the studio to a new space upstairs. The Two Trees Cultural Space … read more… “Two Coats Selected Gallery Guide / February 11, 2018”

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Press release of the day: Lauren Faigeles at Crush Curatorial

“Have you ever wondered how to achieve self-actualization while never having to leave your bed? Well I have a few ideas and if you do too, we should join forces, create a product and go on Shark Tank. “While films have The Bechdel test, my works have to comply with The Brecht test, which starts … read more… “Press release of the day: Lauren Faigeles at Crush Curatorial”

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In transition: Regina Bogat in the 1990s

After exploring hard-edge abstraction and unconventional materials for decades, Regina Bogat began incorporating a more gestural approach into her work. These paintings, made in the 1990s, are on view at Zürcher Gallery, NY, through March 2. Her daughter Anna Bogat Jensen wrote the following essay for Bogat’s exhibition catalogue. Contributed by Anna Bogat Jensen / In the 1990s, Regina Bogat found a new … read more… “In transition: Regina Bogat in the 1990s”


Undergraduate Sketchbook: Katie Fuller

“The sketchbook practice is always something I return to when painting or any other more physical work seems too daunting. The intimacy is healing. It’s a safe space where I can fool around with unresolved ideas that no one ever has to see. My sketchbook also acts as a storage place for scraps I don’t want to lose and for studies … read more… “Undergraduate Sketchbook: Katie Fuller”

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The Desert is Not Barren, Part 1

Contributed by Mary Addison Hackett / When I first moved to the desert, my intention was to be close enough to the Los Angeles art scene without having to deal with traffic, high rents, and apparently in my absence, a dearth of parking. I’ve been to LA exactly three times in the last calendar year. Writing … read more… “The Desert is Not Barren, Part 1”

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Anything but random: Jamian Juliano-Villani

Contributed by Sharon Butler / Last week the Visiting Artist Lecture Series kicked off at Parsons’ Kellen Auditorium with a lecture by Jamian Juliano-Villani, a cheeky, unfiltered speaker who has a painting show on view at JTT through February 24. Highly entertaining, her presentation played as both an edgy artist’s talk and a hilarious stand-up … read more… “Anything but random: Jamian Juliano-Villani”

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Eddie Martinez: Hard-earned cool

Contributed by Jonathan Stevenson / An Eddie Martinez painting exudes casual and effervescent esprit, from the comic-book energy of jangled shape and line, to the optic colors applied with a smart brand of aggressive sloppiness, right down to the often occluded header and footer on the canvas identifying it as his. The printed information says, insouciantly, … read more… “Eddie Martinez: Hard-earned cool”

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Interview: Lesley Dill on her new work, with Leslie Wayne

Contributed by Leslie Wayne / On February 13th, Lesley Dill will open with an installation of new work at Nohra Haime’s new Chelsea Gallery space. The exhibition, entitled, “Wilderness: Words are Where What I Catch is Me” will be Dill’s first solo show with Haime, and it represents an expansion of her abiding interest in … read more… “Interview: Lesley Dill on her new work, with Leslie Wayne”

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